- Like father like son series movie#
- Like father like son series serial#
- Like father like son series tv#
Like father like son series movie#
Like Father Like Son (2005) is a two part television movie for ITV written by Shaun McKenna and directed by Nicholas Laughland. And, if I’m honest, Fowler was kind of bad (but it was her first gig). She gets all the emotions, so that’s to be expected and without gloss or close-ups, emotion looks overacted. Redgrave, on the other hand, has a couple scenes of brazen overacting. Green makes the whole business watchable (NB: I am a major fan of Wire in the Blood and came into things wanting to see him). Prew does not crumble under the pressure nor does he carry the film. There’s a lot of pressure to put on an actor to play ambiguity and moreso to put so much weight on the ambiguity and give it to a young actor. I just noticed I didn’t spend a word on the performances (directly). I mean, I am the best freaking arm-chair detective in the business, but I suspect that a certain scratching was enough for most to put the pieces together enough to exonerate a certain someone. There was another little flub, I think, in that they gave us a major hint (to the point of revelation) well before it was due. You don’t just scream “You did it, didn’t you, they kept calling you weirdo and you just couldn’t take it anymore.” That kind of language comes up when you’ve actually got some kind of evidence and you’re pretty sure he did it. First, you get their story out of them and then you pick it apart, that’s how a mystery is supposed to work. Not only that, but they browbeat a child like he’s trying to evade them. It could be about how police (and people) rush to conclusions and the terrible cost of confirmation bias. They don’t assemble anything like a workable theory. Instead of being our guides to sort out the facts (which are purposefully ambiguous throughout, sometimes without justification), they’re in the way of things. I was ready to forgive the Lifetime vibe and fleshy sappiness, but when you’ve got the best detectives in the world as your guide, how can you possibly write these two? They’re pushy and obtuse. I can’t tell if it’s just a blind spot of mine or everyone’s which explains why villains are so often played by the British turning junk dialogue into menacing gold.īut the last straw, one that is unforgiveable, is that the detective in this story is crap. Even the one I mentioned above, which they dare to use more than twice, is almost plausible when Robson Green says it. A line has to be pretty bad for it to ring hollow when spoken in a British accent. I’m not defending it, I’m just telling you how these things work. On the other hand, it’s British and all British things start with an extra 25 bonus points in their favor. It’s also edited for television and so there are ad breaks and, obviously, a big stop in the middle. People say sappy things like, “I’m going to fight for you, Dee.” Yuck. People will get very angry and make jerky, aggressive movements and then quickly resolve the disagreement (or whatever). Characteristics like near-bipolar relationships and conversations where people flip attitudes from scene to scene.
Like father like son series tv#
It’s a pretty good TV movie, but certain characteristics pervade.
That same girl (that Jamie had a crush on (and subsequently threatened when she rejected him in a particularly mean way)) is strangled to death. A girl, Morag ( Georgia Moffett), is putting it around school that she’s been having a relationship with Dominic (an English teacher at the school).
Like father like son series serial#
Well, when it comes out that Jamie is the son of a serial killer, things get tense at school. Dominic’s daughter Beth ( Francesca Fowler) really wants Dominic and Dee to be together. She’s got a son, Jamie ( Somerset Prew) who’s above average in intelligence as well and angsty weirdness. Her ex-husband was a serial killer ( Philip Davis). Still, these actors chose the role and the show, so that should count for something.ĭominic ( Robson Green) is really into Dee ( Jemma Redgrave). The shows were good because they had a strong cast and crew around them. That should be predictable when you consider how wide the quality spectrum is for television with respect to writing and technical back-up.
Rarely do they come near your expectations for them. For me, Matthew Macfadyen (though with much more upside beyond MI-5 / Spooks), and Robson Green (from Wire in the Blood (2002-08)) all fit in this category. He was great (great!) in Dexter (2006-12) and very good in Six Feet Under (2001-05), but hasn’t been even good in much of anything else. Hall is one I suspect many people share my views on. There are some actors out there who are so great in a particular TV show you like that you want to see everything they do.
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